
PETER WILEY & ANNA POLONSKY RECITAL
New Mexico Museum of Art 107 W Palace Ave, Santa Fe, NM, United StatesBeethoven Sonata in A Major for Cello and Piano, Op. 69 (1807-08)
Mendelssohn Sonata in D Major for Cello and Piano, Op. 58 (1843)
Beethoven Sonata in A Major for Cello and Piano, Op. 69 (1807-08)
Mendelssohn Sonata in D Major for Cello and Piano, Op. 58 (1843)
Recital Program TBA
Arnold Divertimento for Flute, Oboe, and Clarinet, Op. 37 (1952)
Mozart Piano Quartet in G Minor, K. 478 (1785)
Arensky Quartet in A Minor for Violin, Viola, and Two Cellos, Op. 35 (1894)
Ravel Pavane pour une infante défunte (1899)
Bach French Suite in G Major, BWV 816 (c. 1722-25)
Debussy Selections from Préludes, Book I (1910)
Ravel Daphnis and Chloé Suite No. 2 (arr. Namoradze) (1912/2025)
Bach Aria with Thirty Variations, BWV 988 “Goldberg Variations” (arr. Dmitri Sitkovetsky) (1741, arr. 1984)
Devienne Trio for Flute, Clarinet, and Bassoon, Op. 61, No. 5 (1795)
Schubert Sonata in A Minor for Viola and Piano, D. 821, Arpeggione (1824)
Shostakovich Piano Quintet in G Minor, Op. 57 (1940)
From Perception to Pleasure: The Neuroscience of Music and Why We Love It
Robert Zatorre, PhD
Professor and Canada Research Chair in Auditory Cognitive Neuroscience, Montreal Neurological Institute, McGill University Co-Director, International Laboratory for Brain, Music and Sound Research
Devienne Trio for Flute, Clarinet, and Bassoon, Op. 61, No. 5 (c. 1795)
Schubert Sonata in A Minor for Viola and Piano, D. 821, Arpeggione (1824)
Shostakovich Piano Quintet in G Minor, Op. 57 (1940)
Beethoven Sonata in A-flat Major, Op. 110 (1821)
Schumann Sonata in F-Sharp Minor, Op. 11 (1833-35)
Falla Suite populaire espagnole for Cello and Piano (arr. from “Popular Spanish Songs” by Paul Kochanski and Maurice Marechal) (1914 / 1926)
Dvorák Terzetto in C Major, Op. 74 (1887)
Brahms Sonata in F Minor for Viola and Piano, Op. 120, No. 1 (1894)