GOLDBERG VARIATIONS FOR TRIO
Bach Aria with Thirty Variations, BWV 988 “Goldberg Variations” (arr. Dmitri Sitkovetsky) (1741, arr. 1984)
Bach Aria with Thirty Variations, BWV 988 “Goldberg Variations” (arr. Dmitri Sitkovetsky) (1741, arr. 1984)
Devienne Trio for Flute, Clarinet, and Bassoon, Op. 61, No. 5 (1795)
Schubert Sonata in A Minor for Viola and Piano, D. 821, Arpeggione (1824)
Shostakovich Piano Quintet in G Minor, Op. 57 (1940)
From Perception to Pleasure: The Neuroscience of Music and Why We Love It
Robert Zatorre, PhD
Professor and Canada Research Chair in Auditory Cognitive Neuroscience, Montreal Neurological Institute, McGill University Co-Director, International Laboratory for Brain, Music and Sound Research
Devienne Trio for Flute, Clarinet, and Bassoon, Op. 61, No. 5 (c. 1795)
Schubert Sonata in A Minor for Viola and Piano, D. 821, Arpeggione (1824)
Shostakovich Piano Quintet in G Minor, Op. 57 (1940)
Beethoven Sonata in A-flat Major, Op. 110 (1821)
Schumann Sonata in F-Sharp Minor, Op. 11 (1833-35)
Falla Suite populaire espagnole for Cello and Piano (arr. from “Popular Spanish Songs” by Paul Kochanski and Maurice Marechal) (1914 / 1926)
Dvorák Terzetto in C Major, Op. 74 (1887)
Brahms Sonata in F Minor for Viola and Piano, Op. 120, No. 1 (1894)
Janácek String Quartet No. 1 Kreutzer Sonata (1923)
Weinberg Sonata No. 4 for Violin and Piano, Op. 39 (1947)
Beethoven Septet in E-flat Major, Op. 20 (1799)
Works of Grieg, Dvořák, Tchaikovsky, Barber, and Copland.
Paul Novak New Work for String Quartet (Festival Commission, World Premiere)
Juri Seo Three Imaginary Chansons
Baldwin Giang New Work for String Quartet (Festival Commission, World Premiere)
Vincente H. Atria Roundabout
Bach Suite No. 3 for Cello, BWV 1009 (transc. Koonce) (ca. 1720)
Bach Prelude, Fugue, and Allegro in E-flat Major, BWV 998 (ca. 1740)
Bach Chaconne from Partita No. 2 in D Minor for Violin, BWV 1004 (trans. Segovia) (1720)
Ravel Introduction and Allegro (1905)
Elizabeth Ogonek New Work for Piano Quartet (Festival Commission, World Premiere 2026)
Brahms Clarinet Quintet in B Minor, Op. 115 (1891)
Rhythmic Origins of Human Musicality
John R. Iversen, PhD
Associate Professor of Psychology, Neuroscience & Behaviour, McMaster Institute for Music and the Mind, McMaster University